7.7 – ALIEN MESSAGES (12.19.14)


London, England. 1971. After years of studying ancient philosophical teachings relating to the Egyptian mystery schools, author John Michell unearths evidence of an ancient code. A numerical and geometric code, seemingly embedded, not only in the sacred structures of ancient Egypt, but also in the Hebrew world, and in the plans for the Heavenly City of New Jerusalem.

“John Michell was a scholar. He was a mystic. He was a genius and a very, very prolific author. He had an incredible understanding of Earth geometry and geography. But what John Michell is most famous for is the New Jerusalem diagram.”

– Kathleen McGowan Coppens (Author/Researcher),
(Author, The Expected One), (The Source of Miracles),
(The Book of Love)

By carefully examining the physical description of New Jerusalem in Revelation 21, Michell uncovered a sacred design. At the core of Michell’s diagram is the squaring of the circle, and the division of the circle into equal sectors – a zodiac wheel – and the positioning of 12 gates to the Heavenly City – three on each side of the square, representing the 12 tribes of Israel.

“This is also a geometric figure, and John Michell claimed that this would be how the New Jerusalem was to be built in the future and that all this was encoded in Revelations, in a mathematical geometric way.”

David Childress (Author, Technology of the Gods)

In his book, The Dimensions of Paradise, Michell proposed that this sacred geometry represented the order of the Universe. Ancient Astronaut Theorists suggest that this exact same geometrical concept can be found halfway around the world, in Nazca Peru.

Here in the desert, among the many plant and animal glyphs, is a geometric design that looks much different from the rest of the Nazca Lines. It is called the Sun-Star and Cross.

“The Nazca Sun-Star glyph is one of the most interesting glyphs to be seen at Nazca. And in fact, because it’s in a remote area, the Palpa Valley, it’s not actually seen by many tourists. But it is, by far, the strangest and most mathematically precise of all of the diagrams at Nazca.”

        – David Childress (Author, Technology of the Gods)

The Sun-Star and Cross glyph is a precisely formed star polygon made of two squares surrounding a perfect circle, all sharing the same center and diameter. Inside the grid are wheels within wheels and squares within squares. The design mirrors not only New Jerusalem’s sacred geometry, but also offers up yet another connection.

“When you look at it, it’s very obviously what is called a mandala, or a yantra, in ancient India or Tibet. What a mandala, yantra glyph is doing in remote desert of Peru, is very interesting.”

David Childress (Author, Technology of the Gods)

“It’s a very sacred symbol. It’s this idea of being connected with the realm of the gods. And then we have to once again ask ourselves, well, what was the realm of the gods? It’s very interesting to note that seen from the sky, it is very similar, not identical but very similar, to, for example, the layout of the temples at Borobudur.”

– Giorgio A. Tsoukalos
(Publisher, Legendary Times Magazine)

The Buddhist temple of Borobudur, lies over 11,000 miles west of Nazca in Indonesia, and is laid out with a series of precise circles within a platform of perfect squares.

“One has to wonder if somehow all these sites are connected because that is what the Ancient Astronaut Theory excels in – that people in our ancient past were not isolated. They had contact with each other. In the end there is an extraterrestrial connection.”

– Giorgio A. Tsoukalos
(Publisher, Legendary Times Magazine)

“Is this something that was taught by the ancients from one culture to the rest, and they incorporated these divine cities, these New Jerusalems? Or is this something that may have been given to us by some divine intelligence?”

– Andrew Collins (Author, Gateway to Atlantis),
(The Cygnus Mystery), (Beneath the Pyramids),
(Göbekli Tepe: Genesis of the Gods)

Is it possible that the New Jerusalem design, the Sun-Star and Cross of Nazca, the Temple of Borobudur, and other geometric structures around the world, are encoded with similar mathematic and geometric principles? And if so, are they part of an alien message, that is meant not only to inform us of our celestial origins, but to guide us towards a reconnection? Perhaps a key to understanding the relevance of this sacred code can be found by examining the astrological alignments of mysterious sites throughout the world.


Previous: Geometry | Next: Geographical Alignments



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[13] History™. (2015). Ancient Aliens: 7.12 – The Alien Agenda. [Episode Description]. Retrieved: May 1, 2015, from http://www.history.com/shows/ancient-aliens/season-7.


Who were they?… Why did they come?… What did they leave behind?… Where did they go?… Will they return?…

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